Clear, sober films for your audiences.
Internal programmes, public information, project highlights or recap videos: corporate films must first help your audiences understand what is at stake, before showcasing your brand or event.
Starting from the content.
Each film starts with a simple question: what do people need to understand after watching it, and what should they remember? Once this is clear, we can decide whether the backbone is a voiceover, interviews, on-screen text – or a combination of all three.
- short formats adapted to online attention spans,
- longer versions for internal or institutional use,
- scripts reviewed with your teams for accuracy and tone.
Technical but understandable.
Scientific, medical, institutional or technical topics are handled in close collaboration with your experts. The aim is to keep the film accessible without diluting the content: viewers do not need to know everything, but they should grasp what matters.
- interviews with experts prepared in advance,
- supporting graphics, titles and captions when useful,
- subtitled versions for silent playback at events or on social media.
Typical use cases.
Corporate films are rarely “one size fits all”. They are often used to:
- introduce an organisation, department or programme to new audiences,
- explain a policy, initiative or partnership to internal stakeholders,
- document a research or innovation project over time,
- summarise an event for partners, sponsors or decision-makers.
Deliverables defined upfront.
Deliverables are specified from the outset so that each version has a clear purpose instead of multiplying unnecessary formats.
- master file in high quality for archival use,
- compressed versions for web, intranet or emailing,
- short clips for social media or event openings,
- subtitle-ready files for FR / EN or other languages.
Several types of corporate & institutional films.
The same tools can serve very different messages. The point is not to overcomplicate the setup, but to choose the right format for your audiences and timelines.
Programme or policy films.
Films that explain the logic of a programme, a public policy or a multi-year initiative: where it comes from, who is involved, what it changes in practice.
Often used with decision-makers, partners and internal teams to align expectations.
Project & partnership stories.
Focused films built around concrete examples: a pilot site, a research project, a local initiative or a specific collaboration.
Designed to make large strategies tangible and relatable.
Event recap films.
Short, dense recaps that show what happened, who was there and what participants took away from the event.
Useful for end-of-event communications, reports and future editions.
Showreels & recent excerpts.
A few emblematic projects from recent shoots: showreels, international festivals, institutional commissions and artistic collaborations. Click on a video to open it in full screen.
A simple method for each film.
Whether the film is three minutes or fifteen, the approach is the same: clarify, film, deliver. The difference lies in how precisely each step is prepared.
1. Clarify & prepare.
A first conversation defines the scope: objectives, target audiences, key messages, existing materials and constraints. We then build a realistic, documented approach instead of a generic list of shots.
- briefing (remote or on site),
- script outline and interview grids,
- planning and shooting schedule.
2. Film with precision.
On location, the priority is clarity: sound, framing, timing and coordination with your teams and the venue. Additional shooting days can be added if needed, but the core of the film is protected.
- discreet presence and clear communication,
- interviews handled in a calm, reassuring way,
- extra material captured for future edits.
3. Edit & deliver useful images.
Editing is organised around your audiences and channels: internal, public, multilingual, long-term archives or short-lived campaigns. You receive versions that can actually be used, not just one “master cut”.
- first cut for feedback, then fine-tuning,
- graphics, titles and subtitles where needed,
- files ready for web, events and archives.
They trust us.
Media, institutions, cultural and research organisations, health bodies, hotels and event organisers call on La Pixellerie for tailored coverage, interviews, films and live or hybrid setups.
A few quick answers about corporate films.
These questions often come up during first contacts. They do not replace a conversation, but they help you see how La Pixellerie approaches corporate and institutional films.
How long should a corporate film be?
There is no magic duration. For public audiences, 2–4 minutes often works well; for internal or institutional use, longer formats can make sense. The important point is that each version has a clear audience and a clear goal.
Can we reuse existing material (archive footage, photos, etc.)?
Yes. Existing footage, photos, graphics or presentations can be integrated into the film, provided quality and rights allow it. This is often an efficient way to enrich the narrative without multiplying the number of shooting days.
Do you handle subtitles and multilingual versions?
La Pixellerie prepares subtitle-ready files and can coordinate subtitling in French and English, either with your translation teams or with specialised partners when needed.
How far in advance should we get in touch?
The earlier the better, especially if filming is linked to a specific event or location. However, compact projects can also be organised on shorter timelines as long as expectations and deliverables are clearly defined from the start.
Discuss a corporate or institutional film.
A short call or email is usually enough to see whether it makes sense to work together, and which setup would be realistic given your objectives, audiences and timelines.